"Robin Pharo, already noticed with Nevermind Quartet, approaches those pieces with seriousness"
Philippe Ramin, Diapason, April 2017
"Robin Pharo’s viola da gamba is a model of nobility and eloquence"
Philippe Venturini, Classica, July 2016
Robin Pharo’s profile by Alain Cochard on concertclassic.com:
"Talented young musicians to keep an eye out for in the future"
Rogert Tellart, concertclassic.com, May 2013
Ensemble Près de votre oreille
"Près de votre oreille (near your ear), but also and especially close to your heart"
Marie-Aude Roux, Le Monde, March 2019
"Elizabethan Songs in an Elizabethan Theatre: when the Midsummer festival is making a perfect sense"
Pascal Brunet, resmusica.com, June 2018
"Come Sorrow, the recital proposed by Robin Pharo and Près de votre oreille has all reasons to delight"
Irène Salas, olyrix.com, January 2018
Come Sorrow, critique by Pascal Brunet from the concert at the Midsummer festival, Elizabethan Theatre in Hardelot
2019 June 30th:
Come Sorrow, critique by Irène Salas from the concert at the Grévin theatre, olyrix.com (the concert has been recorded and broadcated by France Musique), 2018 January 22nd:
L’Anonyme Parisien’s critique by baroquiades.com:
L’Anonyme Parisien’s critique by wunderkammern.fr: